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Yoshi Sodeoka is a Japanese‑born, New York–based multimedia artist whose work spans experimental video, digital animation, generative systems, and sound. Active since the early 1990s, he is known for creating dense, abstract, and psychedelic visual environments that merge analog distortion, feedback processes, and digital manipulation.
His practice extends across multiple disciplines, including video art, design, and music. Sodeoka has collaborated with a wide range of musicians and cultural institutions, producing visuals and installations for artists such as Tame Impala, Beck, Oneohtrix Point Never, Psychic TV, Max Cooper, and Metallica, as well as editorial motion pieces for publications including The New York Times, Wired, and The Atlantic.
In addition to his individual work, Sodeoka founded Undervolt & Co., a digital‑video collective dedicated to supporting experimental moving‑image artists. His aesthetic often explores repetition, chaos, and sensory overload, resulting in hypnotic and immersive visual experiences that sit at the intersection of contemporary art and underground digital culture.
Sodeoka’s body of work is recognized for its commitment to experimentation, its embrace of digital noise and abstraction, and its ability to push the boundaries of what moving images can evoke.
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